Performing Biography
A standup solo performance practice
The solo performance practice focuses on how autobiography and stories from one's life can become meaningful sources of material for the stage. Inspired partly by stand-up comedy principles, combined with Lia’s choreographic and performative methods, the practice aims the use self-referential, self-sarcastic and experiential information as vehicles which connect the performer to the audience by sharing feelings of empathy, fragility, and humor.
“self-referential, self-sarcastic
and experiential information
becomes relevant to others,
by bridging the subjective to the objective and the personal to the collective”
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The Performing Biography series of workshops is a deep exploration of how one's story and experiences can be vehicles that connect the performer to the audience by sharing feelings of empathy, fragility, and humour.
The participants have the opportunity through the workshops to embody personal stories, perform confessions, exaggerate lies, reveal truths, and expose hidden talents and faults in a series of short solos, all within a very safe group environment. The practice is physical, mental and emotional, as expected when dealing with personal life stories.
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For anyone who is occupied with storytelling, devised theatre, theatre, and any kind of performance on an amateur or professional level, and is open to exploring the body and voice as expressive and creative tools in the form of short informal performances within the group.
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Confidence in working with the voice and a microphone
Immediacy and flow in speech and communication
Familiarity with the physical body through the embodiment of situations and emotions
Enrichment of knowledge in methods and tools from the performing arts that can also be useful for other professions.
Learning ways of cultivating trust and cooperation within a group
Empowerment of oneself through the experience of fragility and sensitivity as strengths.
Inspiration for future performance projects
Α possible beginning to a creative process for the making of a solo piece
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The practice has been shared in the form of workshops guided by Haraki and often taught together with Guy Cools within the frame of several European festivals.
Dance House Lemesos, with Cathryn Robson -2009
Kalamata International festival with Guy Cools - 2010
Tilburg, Danshuis Station Zuid with Guy Cools, 2012
Impuls Tanz Vienna, with Guy Cools, 2012
Dance House Lemesos, 2016
Theatro Polis, 2019
Performance Lab 2021 - 2022
Impuls Tanz Vienna, with Guy Cools, 2022
RialtoΤheatre 2023
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Podcast - On the Performing Biography workshop
Tedx Limassol - Whatever you perform is right
“self-referential, self-sarcastic
and experiential information
becomes relevant to others,
by bridging the subjective to the objective and the personal to the collective”